A girl who is about to apply for college admission hopes to go to a university far from home despite her good grades.

La figlia di Su-yeon, Mi-hyang, soffre di diabete giovanile. Su-yeon defeziona in Corea del Sud per curare Mi-hyang.

Ji-woo is all dressed up and ready to attend Jjang-ah’s birthday party. While waiting for her personal care assistant Mi-sook, she’s notified that Mi-sook can’t make it due to another urgent matter. Unfortunately, Ji-woo, who rides a wheelchair, can’t make it to the party without assistance. In the midst of this dilemma, she happens to run into her friend Ah-ja, who is playing at a claw machine. Ji-woo persuades a seemingly unoccupied Ah-ja to fill in as her personal care assistant for the day. Will the two of them be able to arrive at Jjang-ah’s house.

윤지충, 권상연, 윤지헌의 삶과 죽음을 그린 역사 실화 드라마

暂无剧情简介

건전지 엄마는 어린이집 비눗방울 총, 카메라, 체온계등 다양한 곳에서 활약한다. 어느 겨울날, 아이들의 낮잠시간. 건전지 엄마는 크리스마스 트리에 불이 난 것을 알게 된다. 그 순간, 아이들이 무사히 구조될 수 있도록 화재 경보기로 달려가는데…

1996년, 남한으로 침투한 무장공비 26명 중 1명을 제외한 25명이 우리 국군의 작전으로 생포 또는 소탕되었다. 　　그러나 마지막 한 명의 남파 공작원만이 살아남아 도주한다. 　　그를 생포하기 위해 투입된 이는 ‘유령’이라 불리는 HID 북파 공작원. 　　과거의 흔적조차 남기지 않는 비밀 작전의 대가로 알려진 그는, 마지막 남은 무장공비를 쫓기 시작한다. 　　아이러니하게도, 남한의 유령은 공산권의 AK-47 소총을, 북한의 무장공비는 자본주의의 상징인 M16 소총을 들고 서로를 겨눈다. 　　두 사람의 치열한 추격전은, 결국 상대방의 총기를 쥔 채 숨막히는 사투로 이어진다.

After the wrap up of filming the lead actor, Chung-gil, decides to confesses his feelings to his co-star, Hyun-kyung. However, Hyun-kyung feels uncomfortable with Chung-gil's confession. Their relationship becomes awkward, and an unexpected event unfolds in the midst of this tension. Three months later, both Hyun-kyung and Chung-gil visit Busan for different reasons and coincidentally run into each other. This encounter gives Chung-gil another opportunity to confess his feelings.

The playful film 1+1+1 shot on classical (old fashioned?) 16mm medium deals with the idea of progress. Progress is an issue that is becoming more and more pressing in these times of crisis developing to crisis developing to crisis – maybe progress of crisis? With a leap in the technologisation of life, but also growing inequalities and various tensions. We love progress, improvements, advances, growth. Is there a space for another loves? The film integrates situational acting with joyful elements of musical with meetings mostly writers and intellectuals in their natural environment. The story progresses through a road movie (sometimes a walk movie) – the journey of three main fictional characters.