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影视
不安
- 电影
1954
其它地区
剧情·电影
演员:英格丽·褒曼 Mathias Wieman Renate Mannhardt
英格丽·褒曼是支撑起这部电影的最大亮点,剧情在针对爱情中的背叛和夫妻间的诚实话题上刻画得颇有建树,特别是在动机得设计上足以称得上悬疑片。
影视
不安
- 想看影院
Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
想看影院
2025-07-31
不安
- 好恐怖
豆瓣评分:7.0 片长:Italy: 75 分钟 / USA: 84 分钟 / West Germany: 82 分钟 导演:罗伯托·罗西里尼 年代:1954 地区:西德 / 意大利 类型:剧情 语言:德语 编剧:塞尔吉奥·阿米德 影片别名:恐惧 / Fear / Angst 更新时间:2018-10-01 上映:1954-11-05 主演:英格丽·褒曼 / Mathias Wieman / Renate Mannhardt
好恐怖
2025-06-20
不安
- 奇库影视
奇库影视
2025-06-20
不安
- 鸭梨视讯
演员:英格丽·褒曼 马蒂亚斯·维曼 雷娜特·曼哈特 导演:罗伯托·罗西里尼 类型:剧情片 剧情 影集 状态:已完结更新时间:2025-03-20地区:其它 年份:1954 语言:其它 介绍:本片(剧)又名恐惧 / Fear / Angst / La paura,是一部其它制片作品的影集,于1954年上映。对白语言为其它,目前豆瓣评分7.0(仅供参考)。...更多
超清中字
超清中字
鸭梨视讯
2025-08-01
不安
- 统一影视
Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
HD中字
统一影视
2025-07-21
不安
- 皮皮蛋影视
@media (min-width: 559px) { .module-adslist{ display: flex; }}@media (min-width: 559px) { .module-adslist{ display: flex; }}导演:罗伯托·罗西里尼/编剧:赛尔乔·阿米德伊/主演:英格丽·褒曼/马蒂亚斯·维曼/雷娜特·曼哈特/更新:2024-05-11 00:59:06,最后更新于1年前备注:HD中字评价:
高清正片
HD中字
HD中字
HD中字
HD中字
皮皮蛋影视
2025-07-23
不安
- 皮皮蛋影视
@media (min-width: 559px) { .module-adslist{ display: flex; }}@media (min-width: 559px) { .module-adslist{ display: flex; }}导演:朱尔斯·达辛/主演:Jason/Bernard/Raymond/St./Jacques/更新:2023-02-23 02:47:33,最后更新于2年前备注:神奇哈哈镜 炼钢蒙太奇评价:
高清正片
皮皮蛋影视
2025-07-22
不安
- 大师兄影视
导演: 罗伯托·罗西里尼/ 编剧: 暂无/ 主演: 英格丽·褒曼/Mathias/Wieman/Renate/Mannhardt/ 更新: 2025-05-07 00:45:45,最后更新于 1月前 备注: 爱情中的背叛 评价:
HD中字
HD中字
HD中字
正片
HD中字
大师兄影视
2025-06-20
不安
- 打工人影院
不安 简介
HD
打工人影院
2025-07-31
加载中...