Downtown Cairo is an organism that still seems alive back in winter 2009/10, but is becoming increasingly alien even to those born there. Khalid is looking for a flat. He’s a filmmaker. He looks at his images over and over again, as if he were waiting from them to produce some sort of meaning. The stories of his protagonists seem to come from somewhere inside him, he seeks points of reference in the outside world. The more he looks for them, the more they seem to disappear; not abruptly though, but in lengthy moments full of tenderness, such as when he bids farewell to his girlfriend who is leaving him, to his ill mother, to friends who have come to the city to premiere their films. For them, Cairo is a fixed reference point: One left Baghdad and is now living as a refugee in Berlin, another stayed there, a third lives in troubled Beirut. When they decide to send Khalid video material from their cities, it's not so much about helping him with his film than preserving something they still associate with Cairo via this bond, fully aware that it’s already a fantasy. An almost noiseless film in which time is overtaken by history. berlinale 2016

本剧讲述了小宝为完成使命，通过布局，与各方人马展开高智商的博弈与较量的故事。一系列大众常见的骗局贯穿主线，如酒托，推销假药等骗局，真实接地气，代入感极强，充满趣味的观赏性，同时还具有深刻的警示教育意义。主线剧情伏笔深远，剧情设置巧妙完整，节奏紧凑，多重反转，环环相扣，情节抓人悬念迭出，引人入胜，观赏性强。

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