The third attempt to climb Everest culminated in the deaths of two of the finest climbers of their generation, George Mallory and Andrew Irvine, and sparked an on-going debate over whether or not they did indeed reach the summit. Filming in brutally harsh conditions with a hand-cranked camera, Captain John Noel captured images of breathtaking beauty and considerable historic significance. The film is also among the earliest filmed records of life in Tibet and features sequences at Phari Dzong (Pagri), Shekar Dzong (Xegar) and Rongbuk monastery. But what resonates so deeply is Noel’s ability to frame the vulnerability, isolation and courage of people persevering in one of the world’s harshest landscapes. The restoration by the BFI National Archive has transformed the quality of the surviving elements of the film and reintroduced the original coloured tints and tones. Revealed by the restoration, few images in cinema are as epic – or moving – as the final shots of a blood red sunset over the Himalayas.

每天生活两点一线的白领、卖掉自家小店的店主、背负沉重KPI的销售、在成功与失败间挣扎的创业者……8个普通人，带着各自的故事与梦想，在民间专业高山向…

2015年4月25日，尼泊尔发生矩震级8.1级地震。地震造成珠穆朗玛峰山体晃动，引发数次雪崩和山体滑坡，波及邻近山区。地震发生时数百人在珠穆朗玛峰，雪崩至少令19人丧生。而地震引起的山体滑坡造成的伤害更为严重，直接将容纳了三百多人的蓝塘村完全掩埋。此次地震震源距离尼泊尔首都加德满都仅七十七公里，给当地带来了极大的伤害。本片中剪辑了地震发生时，身处喜马拉雅山脉中的亲历者们所拍摄的画面，重现了灾难来临时人类的渺小与无能，记录了遇难者生前最后的影像和幸免于难的登山者和旅行者的心路历程。