本片内容与《危险关系》讲述的是同样的故事，只因推出公映较晚，风头都被《危》片抢去。其实本片导演米洛斯．福曼功力不俗，科林．弗思、安妮特．本宁和梅格．蒂莉的三角情欲关系也演出称职，加上实景拍摄的宏伟宫殿气派，使这部英、法合作拍摄的古装宫廷片仍具相当高的观赏价值。剧情背景是十八世纪的法国贵族阶层，蒙图夫人因妒忌自己的情人葛寇即将与表亲西莉亚结婚，乃千方百计设法让花名在外的伟康夺去西莉亚的童贞。其后，伟康在决斗中被杀，而西莉亚则证实已怀了他的孩子。

基于Howard Gould所著小说《Last Looks》，讲述前洛杉矶警探查理·瓦尔多名誉扫地，目前作为一个极简主义者生活在树林里。当他重新回到私人侦探的工作岗位上，去调查一位古怪电视明星的妻子被谋杀一案时，他平静的生活戛然而止。

After the bizarre death of her brother, Johana Burwood must return home after four years, to face her strange siblings, her out of touch father and her very touchy past.

这是一个真实故事改编的电影。 　　今天是7月4日，在年度盛典演艺会上，卡尔帕尼尔·亚当斯出场了…… 　　故事得从之前说起…… 　　士兵巴利·温彻尔到坎贝尔要塞报告，成为一名新兵。刚到要塞的巴利和费希尔住在同一个房间，第二天的早上，巴利就睡过了头，100个俯卧撑后，一整天的训练让巴利几乎都吃不消了…… 　　乘着士兵放假，费希尔和巴利到城里的怪人俱乐部。俱乐部里有不少的变性人，巴利对俱乐部的亚当斯一见钟情。巴利问亚当斯要到了电话，第二天，巴利主动打电话给亚当斯，亚当斯邀请巴利参加他们的BBQ，巴利欣然前往，两人从此开始了交往。 　　从亚当斯的口中，巴利知道了亚当斯曾经是一个士兵，因为厌倦了当男人和想成为一名真正的女人才变性成为了一个女人。随着交往的加深，两人堕入了不正常的情网，这一切都没有逃过费希尔的眼睛。在军队里，同性恋是绝对禁止的。费希尔劝巴利放弃，但巴利已经深陷其中难以自拔，费希尔要教唆军中的士兵瓦拉格在军中散布留言，希望以次让巴利退缩，但执着的巴利非但不领费希尔的情，还跟费希尔和瓦拉格发生了冲突。 　　这晚，7月4日，费希尔带了瓦拉格回到住所……亚当斯正在演艺会上大放异彩，住所里，悲惨的一幕还是发生了，巴利倒在血泊之中……在演艺会上得到桂冠的亚当斯回到家中，从电视新闻中得知巴利死亡的消息，失声痛哭…… 　　这天是7月4日……

《Sugar Rush》改编自女作家Julie Burchill同名小说，主人公是有着同性恋倾向的15岁少女Kim，在从伦敦一家体面高中转到布莱顿的乱糟糟的综合性中学Ravendene之后，她逐渐恋上了自己的新朋友，学校的坏女孩Sugar。

一位牧师雇佣了痴迷圣经的考古学家唐·瓦尔迪安，希望他能在神圣之地找圣物遗宝。眼看这场考古之旅几经周折依然颗粒无收，他们决定开动脑筋伪造圣物来挽救教区信徒的士气。

在医学发展史上，对科学家和医生们来说，最复杂、最难以理解的就是人体的内分泌系统，内分泌学科的研究中心就是荷尔蒙，或者说激素。在人们没有意识到的时候，人体中的荷尔蒙几乎控制着人体的一切变化，影响人的一生。阉伶为什么能保持纯净的童声？“巨人”为什么会一直不停地生长？回答都是同一个——荷尔蒙。那么，为什么荷尔蒙的运作原理是什么呢？数百年来，医学先驱们大胆试验，逐渐揭露了其中的奥妙。在本期纪录片“荷尔蒙的奇妙世界”中，和约翰·瓦斯教授一起，听他讲述这段奇妙的故事。

阿涅丝·瓦尔达是战后女性电影导演的先驱，也是新浪潮的倡导者，她生前曾受到好莱坞的嘉奖，如今她已成为新一代年轻电影人的灵感源泉。虽然她经常在自己的影片中展现自我，但这部纪录片首次通过相关人士的采访和未曾披露的档案资料梳理了她的传奇人生。

当不少人以为《脸庞，村庄》（2018）是瓦尔达退休前最后杰作，她连奥斯卡终身成就奖亦袋袋平安，偏偏俏皮一笑，又交出这部活泼生猛的纪录片。由巴黎、洛杉矶到北京，马不停蹄开班分享创作理念，这位九十岁祖师奶奶不言倦，反正花样年华已被唤作「法国新浪潮祖母」，索性成为影坛万年青。 本尊娓娓道来启发《短角情事》的好奇心，《拾穗者》的细腻观察；至今不辍光影实验，不吝将艺术触觉传承。是为一生回顾展？言之尚早！

Aby Warburg, (1866-1929), an art historian of startling originality, came from the renowned Warburg banking family of Hamburg, Germany. Already in his teens, the first of seven children, he made a deal with his next oldest brother, to forfeit his birth right to take over the family bank in exchange for full financial support in buying all the books that he would ever want. The library he assembled would become a refuge of scholarship. In 1933, with the Nazi takeover and the deprivation of Jewish rights, 60,000 books, photographs, and papers were shipped to London to become the Warburg Library and Institute eventually housed at the University of London. 　　This documentary on the life and work of Aby Warburg, traces the development of his ideas in their historical context. From his early studies on the early Italian Renaissance to his ventures in the American Southwest observing Hopi and Zuni ritual dances in 1895, Warburg sought the legacy of ancient Greece in the images and symbols of cultures, which he followed through iconographic studies that he pioneered. He sought connections between gesture and art in antiquity, the Renaissance and modern times. Underneath the seeming rationality of antiquity and the Renaissance, he sensed conflict and irrationality. 　　Aby Warburg never took an academic position but pursued his interests and collection of books with passion. Recurrent depressions lead to hospitalization in a psychiatric clinic in Switzerland 1921-1924. For the last five years of his life, he gave occasional lectures and seminars, but publishing almost nothing. Most notably, he developed a picture atlas, Mnemosyne, (the personification of Memory in Greek mythology,) consisting of 60 wooden panels with some 1000 images arranged according to themes and juxtapositions, concerning memory, astrology and mythology, archeology, migration of the ancient gods, vehicles of tradition, irruption of antiquity, Dionysiac formulae of emotions, Nike and Fortuna, Durer, the baroque, the reemergence of antiquity, Manet, the classical tradition today. 　　The principal motifs of Warburg’s scholarship are discussed by leading art historians in England, US and Germany, including Professors Michael Diers, Uwe Fleckner, David Freedberg, and Joseph Koerner. Filming took place in London and Hamburg. 　　This film should be of interest to anyone interested in the history of ideas, art history, social and cultural history.