The story of Sim, a two-time Olympic gold medallist wrestler who has spent his life grappling with the ground. Haunted by a monstrous floor, he reminisces, preaches and worries.

The movie revolves around young composer Yeonji who lands a dream job at the prestigious Forte Studio. 　　Her joy over the position soon fades when she starts working at its isolated HQ due to the eerie atmosphere and odd behavior of her new colleagues. 　　Fiercely ambitious and competitive, she also discovers that her new boss only wants to use her as a ghostwriter rather than letting her shine in her own light.

This expanded cinema explores the hypnotic grip of film and questions its role in shaping our memories and perceptions long after the credits roll. 　　In Undercurrent’s first-ever expanded cinema piece, performer-director HeeSue Kwon reimagines the filmic experience. The projector extends itself beyond a mechanical device: it transforms into a living entity, reanimating the collective memories of its audience. Through Kwon’s live manipulation of flickers and intervals, the cinematic apparatus gains autonomy, continuously looping and coming alive. 　　Using a reverse diffusion model, Melting Fire Iceman employs AI to portray the fluid, shifting nature of cinema’s core memories. Early films, drawn from online repositories and the Korean Film Archive, are dissolved and reimagined by AI, seemingly in an infinite cycle of rebirth. In this mesmerising process, the boundaries between memory, spectatorship and the cinematic experience are redefined.

바람에도 날아갈 것 같이 연약해 보이는 원노인, 무노인(아내)를 사랑하며 의지한다. 　　모처럼만의 산책, 강변을 거닐고 꽃 밭에서 춤을 추며 즐겁고 행복한 시간을 보내던 중, 　　한 여인을 괴롭히는 불량배들을 목격하게 되고, 점점 격해지는 불량배들의 행동에 원노인의 분노가 폭발한다

This film is made of footage shot on the rooftop of my friend’s house at Kathmandu, Nepal. Lazimpat is the name of the street where the house is located. It’s a portrait of people, sunshine, flowers, and etc.

여고생 소영은 아무도 모르게 해야할 일이 있다. 소영은 그 일을 위해 역할대행인을 만난다.

Yeonseok, the head of a household, suffers from insomnia. The cause of his insomnia is the monster under the couch. People around him laugh, dismissing it as a nightmare that only children would fear. Even Yeonseok is unsure whether the monster is real or just a figment of his imagination. Then one day, Yeonseok comes face to face with the monster under the couch.

PLAVE的首次安可演唱会——< PLAVE FAN CONCERT 'Hello, Asterum!' ENCORE >将通过电影银幕进行全球同步直播！ 　　2024年10月6日，在世界各地的电影院大银幕上，一同见证PLAVE粉丝演唱会的华丽终章。 　　从出道曲《等你》到荣登Melon TOP100榜首的《WAY 4 LUV》和《Pump Up The Volume!》，千万别错过< PLAVE FAN CONCERT 'Hello, Asterum!' ENCORE: LIVE VIEWING >中那些令人心动的精彩瞬间！

정동진을 지나고 헌화로를 지나오면 만나는, 작고 외진 금진 해수욕장. 피서객 없는 5월, 주연은 도시를 떠나 이곳으로 오게 된다. 죽은 엄마 하영의 파라솔 대여소를 이어받기 위해서이다. [제26회 정동진독립영화제]

Taesan and Dongju are a long-time couple. As they prepare to move, they find an old sofa on the street and bring it home. Their cramped apartment, now filled with the sofa, the couple preparing for their move, and their dreams, are depicted with an air of detachment. The film captures their emotions with a unique rhythm, floating in the air.